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Catalog 368 (for July, 2026) is now available!
July 2, 2026 by GuyHeilenman · Leave a Comment
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Catalog #368 (for July) is now available. For those residing in the United States: Happy 250th! For everyone… the links below will take you to the new catalog, a new video in the “Lead-Up to a Nation” series, a set of discounted newspapers, and the most recent post on the History’s Newsstand blog. Please enjoy!
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Phillis Wheatley… From Slave to Hero…
June 29, 2026 by Laura Heilenman · 1 Comment
Few of us began our lives with hardships remotely resembling being kidnapped from Africa as a child, transported to a foreign land, and sold into slavery. The comfortable First World culture so many of us live in does not usually place upon our shoulders the kind of burden a child would carry from such an origin story. Although one might assume such a beginning would doom a child to destruction, that is not always the case. Sometimes people rise above their circumstances and seize any silver lining that comes their way. This is precisely what happened with Phillis Wheatley.
In the midst of unimaginable hardship, an enslaved teenager in colonial Boston penned verses that would echo through the centuries and earn her the distinction of being the first African American woman to publish a book of poetry. Her 1773 collection, Poems on Various Subjects, Religious and Moral, astonished readers on both sides of the Atlantic and challenged the era’s deeply held prejudices about race and intellect.
Among her most striking works is “On Imagination,,” a soaring neoclassical ode that celebrates the boundless power of the human mind. In it, Wheatley personifies Imagination as an “imperial queen” capable of transcending winter’s frost, traveling among the stars, and transforming harsh reality into beauty and joy. Written while she was still enslaved, the poem stands as a profound testament to mental freedom and creative resilience—the idea that even when the body is chained, the spirit and intellect can soar.
Though composed some 250 years ago, Wheatley’s words still resonate powerfully today, reminding us of the enduring strength of imagination in the face of adversity. Below is the entirety of this masterpiece. Perhaps allow your imagination to run free.
On Imagination
by Phillis Wheatley (1773)
Thy various works, imperial queen, we see,
How bright their forms! how deck’d with pomp by thee!
Thy wond’rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon’s refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov’d object strikes her wand’ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th’ empyreal palace of the thund’ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th’ unbounded soul.
Though Winter frowns to Fancy’s raptur’d eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o’er the sands.
Fair Flora may resume her fragrant reign,
And with her flow’ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown’d:
Show’rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow’r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o’er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov’reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th’ expanse on high:
From Tithon’s bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o’erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;
They chill the tides of Fancy’s flowing sea,
Cease then, my song, cease the unequal lay.
“Broken hearts cannot be photographed”… Matthew Brady…
June 26, 2026 by TimHughes · Leave a Comment
War has always inflicted its pains and sorrows upon a nation. But the brutality and reality of war never fully struck home until the Civil War. It was different.
Many lives were lost in the French & Indian War, the Revolutionary War, and the 19th century events of the War of 1812 and Mexican War, but until the invention of photography, there was a certain amount of callousness to what war was really about.
The Civil War changed all that, and perhaps one person, Matthew Brady, did more to make that change than anyone.
The Civil War was the first war to be photographed. In 1862, famed photographer Mathew Brady exhibited a series of pictures taken by protégés Alexander Gardner and James Gibson immediately after the Battle of Antietam. Gardner and Gibson, two of the many photographers Brady hired to document the war, produced at least 95 images at Antietam. Their images were the first to show dead bodies on the field.
The October 20, 1862 issue of the “New York Times” contains one of the more moving articles on the horrors of war, brought home to the residents of New York through an exhibition of “Pictures of the Dead at Antietam” in Matthew Brady’s Manhattan Gallery.
The article is headed: “‘Brady’s Photographs” and it reports on the exhibition by comparing the brutality & reality of war, to the callousness of New York’s residents who read the daily papers but did not relate to the horrors they reported.
The article is extremely well-written, taking most of a column. The full text can be seen in the attached photos, however a few bits are worthy of noting here: “The living that throng Broadway care little perhaps for the dead at Antietam, but…they would jostle less carelessly down the great thoroughfare, saunter less at their ease, were a few dripping bodies, fresh from the field, laid along the payment…We see the list in the morning papers…but dismiss its recollection with the coffee. There is a confused mass of names, but they are all strangers…We recognize the battle-field as a reality, but it stands as a remote one…” with more.
Then: “Mr. Brady has done something to bring home to us the terrible reality and earnestness of war. If he has not brought bodies and laid them in our dooryards and along the streets, he has done something very like it. At the door of his gallery hangs a little placard, ‘The Dead of Antietam’…There is one side of the picture that the sun did not catch…It is the background of widows and orphans, torn from the bosom of their natural protectors by the red remorseless hand of Battle, and thrown upon the fatherhood of God. Homes have been made desolate & the light of life in thousands of hearts has been quenched forever. All of this desolation imagination must paint–broken hearts cannot be photographed…” and much more.
In 50 years of selling early newspapers, this issue most powerfully brings home the grief, sorrows, tragedies, realities, and unanswered questions that war inflicts upon a nation. What a difference a photograph can make.
June 20, 2026 by GuyHeilenman · Leave a Comment
Extra, Extra, Read All About It!
After two decades, we (Timothy Hughes Rare & Early Newspapers), have a brand-new website!
The enhancements are best enjoyed first-hand.
Start your discovery at:
RareNewspapers.com
Juneteenth… The Nuances of Slavery’s End…
June 19, 2026 by Laura Heilenman · Leave a Comment
The saying, “History is a set of lies agreed upon,” often attributed to Napoleon, reminds us how easily we can simplify the past. A few days ago, I read about the story of General Granger’s landmark announcement in Galveston on June 19, 1865. Today, while digging deeper into the same moment, I came across Colonel G.W. Clark’s follow-up order issued in Houston just three days later. Reading both orders side by side offers a fascinating window into how emancipation actually unfolded on the ground in Texas.
General Granger’s General Order No. 3 was the pivotal statewide declaration that brought the Emancipation Proclamation to the last major Confederate holdout. Addressed to “the people of Texas,” it formally informed roughly 250,000 enslaved people that they were free, stressing “absolute equality of personal rights and rights of property” and transforming the old master-slave relationship into one of “employer and hired labor.” Its importance cannot be overstated: this was the public, official moment that ended legal slavery in Texas and gave birth to Juneteenth as a day of celebration and remembrance.
Colonel Clark’s General Orders No. 3, issued on June 22, 1865, for the Post of Houston, played a more localized but equally necessary role. It provided the practical instructions needed to prevent chaos in a major occupied city, directing freedmen to remain temporarily with former owners while reassuring them that doing so would “forfeit none of their rights of freedom.” Clark added details about upcoming labor contracts and consequences for idleness, showing the administrative work required to turn grand declarations into orderly reality.
Though both orders advanced the same goal of peaceful transition, their tones on freedom differed in telling ways. Granger’s language was bold and expansive, celebrating equality and a clean break with the past. Clark’s was more measured and reassuring, carefully balancing direction with the promise that freedom remained intact. Reading them together reveals how emancipation was not a single dramatic event but a layered process—announced with inspiring clarity in one breath and managed with cautious practicality in the next. In that sense, these two orders from 1865 still rhyme with the challenges of turning high ideals into lived experience.
Most Important Election Ever… Washington Takes the Reins…
June 12, 2026 by Laura Heilenman · Leave a Comment
Lead-up to a Nation… as reported in the newspapers of the day (reflecting back on May, 1776)…
June 5, 2026 by GuyHeilenman · Leave a Comment
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Hope and Defiance – French Sympathy (E39)
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The New-England Chronicle – A Rare Voice (E40)
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Powerful Resolves – Battlefield Successes (E41)
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Addressing Military Overreach – Precedent for Restraint (E42)
- Common Sense – Condemnation of Monarchy (E43)
We hope you are enjoying this year-long trek to the 250th anniversary of The United States through the eyes of those who were fully engaged, first hand. As mentioned previously, all accounts are rooted in what they read in the newspapers of the day.
“History is never more fascinating than when read from the day it was first reported.” (Timothy Hughes, 1975)
May 2026 Newsletter Rare & Early Newspapers…
May 15, 2026 by GuyHeilenman · Leave a Comment
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Welcome to the latest newsletter from
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Lead-up to a Nation… as reported in the newspapers of the day (reflecting back on April, 1776)…
May 8, 2026 by GuyHeilenman · Leave a Comment
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The King’s own Regulars & Their Triumph over the Irregulars – Propaganda (E35)
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Voices of a Young Nation – Reports: Grim and Grateful (E36)
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Stirring Reports – Elected Delegates & New Postal System (E37)
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Independence was Destiny – The Case for Independence (E38)
We hope you are enjoying this year-long trek to the 250th anniversary of The United States through the eyes of those who were fully engaged, first hand. As mentioned previously, all accounts are rooted in what they read in the newspapers of the day.
“History is never more fascinating than when read from the day it was first reported.” (Timothy Hughes, 1975)
This famous Confederate issue, with a contemporary explanation…
May 4, 2026 by TimHughes · Leave a Comment
Over the last 50 years we have sold many genuine issues of the famous “Vicksburg Daily Citizen” issue of July 2 (4), 1863. Its desirability is in the curious background of its creation. If you have received our catalogs through the years, you have likely read of at least one of our offerings, with the details as to how the July 2 issue was left on the press when the Confederates left town when the Yankee forces moved in. As the story goes, Yankee printers found the July 2 issue still on the press, changed the last paragraph to reflect the historic changes that had happened over the previous two days, and printed the paper.
We were not aware until recently that a contemporary issue of the “New York Times” told the story quite well. Page 2 of the August 5, 1863 issue has over a column headed: “The Fall of Vicksburgh” “Last Words of the Vicksburgh Citizen” “A Curious Relic of the Siege”.
The report begins: “When Grant took possession of Vicksburgh, a detachment of the Fifteenth Illinois cavalry visited the office of the ‘Daily Citizen”. They found the number intended for July 2 in type, and the paper all ready for printing, but circumstances had prevented its issue…the paper was very poor wall-paper. The matter was wholly editorial, with the exception of a column and a half of: “Yankee News from all Points” copied from the Memphis Bulletin, a paper which the Citizen says is ‘edited by a pink-nosed, slab-sided, toad-eating Yankee, who is a lineal descendant of Judas Iscariot…” with much more.
Further on, it explains how the last paragraph of the Vicksburg issue came to be: “The Illinois men who visited the office of the ‘Citizen’ thought that this admirable number ought not to be withheld from the subscribers. They set to work at once to print it off, but as it was now the Fourth of July and some changes had taken place since the original editor made up his sheets for the 2d, they brought up the news to date in the following postscript…” , which is the famous paragraph at the bottom of the page that begins: “Two days bring about great changes…”.
The Times article notes in conclusion: “…The copy from which we print the foregoing extracts was furnished to us by Col. Jas. Grant Wilson, of the Fifteenth Illinois cavalry, according to whose request, we have presented to the New York Historical Society.”
Although there are many issues in the realm of rare newspapers that are curious, unusual, or perhaps exceedingly historic in a very unusual way, rarely are collectors treated to a contemporary account of how they came to be. This is one.
