Take a Closer Look … The Delicate Details of Woodcut Prints…
April 14, 2022 by LauraH
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I have had some fascinating conversations this past year with one of our collecting friends who is an expert in woodcut prints. I won’t be a name dropper, however, if he is reading this, he will have no doubt as to who I am referencing. I greatly appreciate the time he took to share his knowledge which has motivated me to pause and look more carefully at every print I encounter in the RareNewspapers archives. My proficiency in this area is sparse and not terribly reliable but I did want to share a few takeaways.
Some artists of woodcut prints would draw on paper and send the illustration to a publisher who would cut the paper into tiny square blocks and have each one sketched onto a square block of wood. These wooden squares would be handed out to different craftsmen who would carve their block and then the blocks would be rejoined for printing. Sometimes, when time was of the essence, each craftsman would use carving tools which could create many tiny lines at once. If you look closely at many such illustrations, you can tell these prints have hundreds of parallel lines – indicating the use of these tools. Occasionally, when more time was available, each line was formed individually – a painstaking process, but one which produced an almost unimaginable degree of detail!
Some artists preferred to draw their own prints directly onto the wood and so they were sent a group of one-inch square pieces bound together with twine. When the artist had finished their drawing, the publisher would untie the pieces and distribute the blocks to the woodcarvers.
Regardless of how each print was created, the detail, craftsmanship and artistic skill needed to produce one illustration is mind blowing. So, the next time you glance through a Harper’s Weekly, Leslie’s Illustrated , Illustrated London News, or handful of other illustrated titles of the “woodcut era”, perhaps you will join me in pausing and giving a bit of deference to these creators of beauty. Thanks Bill for sharing this delightful insight with me.
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If I’m not incorrect, the woodcut design, like with a lithograph, were drawn in reverse.